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The Gallery's first public exhibition opened in
- Natsumi Hirose.
- Only adults at least 18 years of age are permitted to enter.
The Gallery's first public exhibition opened in Admission is free to the general exhibition space, which displays Australian art from settlement to contemporary , European and Asian art. A dedicated Asian Gallery was opened in On 24 April , a public meeting was convened in Sydney to establish an Academy of Art 'for the purpose of promoting the fine arts through lectures, art classes and regular exhibitions.
The first exhibition of colonial art, under the auspices of the Academy, was held at the Chamber of Commerce, Sydney Exchange in The Gallery's collection was first housed at Clark's Assembly Hall in Elizabeth Street where it was open to the public on Friday and Saturday afternoons. In , the first Director, Eliezer Montefiore and his fellow trustees opened the art gallery on Sunday afternoons from 2 pm to 5 pm.
Montefiore believed:. The destruction of the Garden Palace by fire in placed pressure on the government to provide a permanent home for the national collection. In , the new Colonial Architect, Walter Liberty Vernon — , was given the assignment to design the new permanent gallery and two picture galleries were opened in and a further two in A watercolour gallery was added in and in the Grand Oval Lobby was completed. In , the inaugural Archibald Prize was awarded to W.
McInnes for his portrait of architect Desbrowe Annear. The equestrian statues The offerings of peace and The offerings of war by Gilbert Bayes were installed in front of the main facade in John William Ashton was appointed director and secretary in The same year electric light was temporarily installed at the Gallery to remain open at night for the first time. Hal Missingham was appointed director and secretary in In construction began on the Captain Cook wing to celebrate the bicentenary of Cook's landing in Botany Bay.
The new wing opened in May , following the retirement of Missingham and the appointment of Peter Phillip Laverty as director in The first of the modern blockbusters to be held at the Gallery was Modern masters: Monet to Matisse in It attracted , people over 29 days. The the Biennale of Sydney was held at the Gallery for the first time. The Sydney Opera House had been the location for the inaugural Biennale in With the support of then Premier Neville Wran a major extension of the Gallery became a Bicennential project.
Opened just in time in December , the extensions doubled the floor space of the Gallery. In an Art After Hours program was initiated with the Gallery opening hours extended every Wednesday. The same year a legal challenge was mounted against the award of the Archibald Prize to Craig Ruddy for his David Gulpilil , two worlds; and the Anne Landa Award was established, Australia's first award for moving image and new media.
The Nelson Meers Foundation Nolan Room was opened, also in , with a display of five major Sidney Nolan paintings gifted to the Gallery by the Foundation over the past five years. A new contemporary gallery was created in by removing storage racks from the lowest level of the Captain Cook wing, and artworks were relocated to an off site storage.
The new purpose-built off-site collection storage facility began operations. Dr Michael Brand assumed the role of director in mid In the Gallery unveiled a strategic vision and masterplan, under the working title Sydney Modern : a proposal for major expansion and renewed focus on serving a global audience.
The stated aim was to complete the project by , the th anniversary of the Gallery's founding in The money was used over the next two years for feasibility and engineering studies related to the use of land next to the gallery's existing 19th-century home, and to launch an international architectural competition.
The International design competition for the Sydney Modern Project resulted in five architectural firms being invited from an original list of twelve to submit their final concept designs in April In John Horbury Hunt , an architect in private practice, was engaged by the Gallery's Trustees to design a permanent gallery.
Though Hunt submitted four detailed designs in various styles between and , his work came to nothing apart from a temporary building in The Domain.
With raw brick walls and a saw-tooth roof , it was denounced in the press as the "Art Barn". Vernon believed that the Gothic style admitted greater individuality and richness 'not obtainable in the colder and unbending lines of Pagan Classic. By the entire southern half of the building was finished. A newspaper article at the time noted:. Only one wing of the building, about one fourth of the whole structure, is at present completed, and gives rich promise of future beauty.
The style is early Greek. The interior is divided into four halls, each feet by 30 feet, communicating with each other by pillared archways. The walls are coloured a chill neutral green shade, which makes an excellent background. Vernon proposed that his oval lobby lead into an equally imposing Central Court. His plans were not accepted. In the s plans were suggested for the completion of this part of the Gallery but the Great Depression and other financial constraints lead to their abandonment.
This extension, which was opened to the public in November , and the Bicentennial extensions, were both entrusted to the New South Wales Government Architect, with Andrew Andersons the project architect.
The architecture of the Captain Cook wing did not attempt to clone the classical style of Vernon's design. In the Captain Cook wing Andersons divided new from old with a wide strip of skylights in the main entry court. While in the old courts there was parquetry flooring, travertine flooring was employed in the new galleries for both permanent and temporary exhibitions.
The modern need for flexibility in display layout was answered by the use of track lighting and precast ceiling panels designed to support a system of demountable walls. While the new galleries were painted off white, senior curator, Daniel Thomas, advocated a rich Victorian colour scheme to display the Gallery's 19th-century paintings in Vernon's grand courts. Sixteen years later the Bicentennial extension was built on The Domain parkland sloping steeply to the east.
Four contemporary art 'rooms' were top lit by pyramid skylights. A new space for Asian art was built to add to the existing Asian art gallery immediately below. Backlit translucent external cladding glows at night and has been dubbed the "light box". The project was designed was by Sydney architect Richard Johnson and was opened on 25 October The collection represents Indigenous artists from communities across Australia.
The earliest work in the collection, by Tommy McRae , dates from the late 19th century. The first works to enter the collection in were a large group of ceramics and bronzes — a gift from the Government of Japan following the Sydney International Exhibition that year.
The Asian collections after grown from that beginning to be wide-ranging, embracing the countries and cultures of South, Southeast and East Asia. The collection dates from the early s. Forty four works held at the gallery were included in the edition of Masterpieces of Australian Painting.
Charles Conder , The hot sands, Mustapha, Algiers , Arthur Streeton , Fire's On , Tom Roberts , Bailed Up , George Washington Lambert , Thea Proctor , E Phillips Fox , The Ferry , Elioth Gruner , Spring Frost , The contemporary collection is international, encompassing Asian and Western as well as Australian art in all media. Internationally, the focus is on the influence of conceptual art, nouveau realisme, minimalism and arte povera.
The Australian contemporary art collection focuses on abstract painting, expressionism, screen culture and pop art. The collection of art from the Pacific region began in at the instigation of our then deputy director, Tony Tuckson.
As well as contemporary photography, Australian pictorialism, modernism and postwar photo documentary is represented by The Sydney Camera Circle , Max Dupain and David Moore. International photographs include English pictorialism and the European avant garde Bauhaus , constructivism and surrealism.
Photo-documentary in 20th-century America is reflected through the work of Lewis Hine and Dorothea Lange among others. Styles range from the formal aesthetics of early photography to the informal snapshots of Weegee to the high fashion of Helmut Newton and Bettina Rheims. John Constable , Landscape with goatherd and goats , Vincent van Gogh , Head of a Peasant , Lord Frederic Leighton , Cymon and Iphigenia , Camille Pissarro , Peasants' houses, Eragny , Around 40 temporary exhibitions are held each year; some with an entry charge.
Gallery educators produce a diverse range of resources for the primary, secondary and tertiary education audiences linked to the collection and major exhibitions. Gallery guides provide tours of the collection and exhibitions to visitors, including school groups, Gallery members, corporate clients and VIPs. Gallery conservators undertake projects to safeguard artworks by preventing, slowing down, remedying or reversing decay and damage while ensuring artworks are safely displayed, stored or transported.
The Gallery has a program of talks, films, performances, courses and workshops as well as programs designed to increase access for people with special needs. The Art Gallery of NSW Foundation is the Gallery's major acquisition fund and the umbrella organisation for all the Gallery benefactor groups and funds.
It raises money from donations and bequests, invests this capital and then uses the income to purchase works of art for the collection.
It includes both the VisAsia Council and individual membership. The Brett Whiteley Foundation, promotes and encourages knowledge and appreciation of the work of the late Brett Whiteley.
The Society is a separate legal entity, controlled and operated by the Society Council and members. From Wikipedia, the free encyclopedia.
Hugh Ramsay , The Sisters , The Art Newspaper Review. April Retrieved 23 March National Library of Australia news.
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Join our singing bowls meditation to improve your fitness and wellness with your fellow members! Come watch experimental animated documentaries that provoke new experiences of past events, seeking legitimacy of personal memories for collective remembrance with artists Cao Shu and Zhong Su. Buy Tickets. Hear from scholars and artists for their take on how the relationship between the arts and mental health can offer diverse and dynamic settings for restorative, educational, and therapeutic benefits.
Enid Tsui will be the moderator. How will a film experience change if we return to standardized black-box environment? This screening and discussion prompt us to rethink that. Join artists Duan Tianran and Lu Tingting in a discussion. Join the first-ever Asian tour for Gabriel Prokofiev UK to bring along his original work and ensemble with the young chamber orchestra The Timecrafters HK for performances in town.
This year marks its 20th Anniversary and brings a diverse selection of poignant, sad, funny, dramatic and satirical narratives. Meet the Author. After thirty-two years of living near Kyoto, Japan, celebrated travel writer Pico Iyer reflects on his adopted home.
Writer Ken Smith will host a talk with Iver. Our newly launched Ivy Plus series aims to inspire local students to dream big on their next life journey. Alumni from Ivy League schools will share their experience. Special Event. Ronnie C.
Chan will lead the conversation. Join us on a guided eco-tour to discover the native ecosystem Mai Po with two professional activity guides from Hong Kong Bird Watching Society. We will visit the natural habitats of wildlife, as well as the birdwatching hides. Come and enjoy a live concert featuring music composed by Matt Ottley for the award-winning picture book Teacup by Rebecca Young and Ottley!
Come hear from Professor Ezra F. Nise: The Heart of Madness. Hong Kong Eco Film Festival. Come join us on theGreenCarpet for an inspirational event bringing together corporates, entrepreneurs, educators, scientists, storytellers and changemakers to celebrate and accelerate solutions for our environment. Panel Discussion. What is cyanotype? It's a photographic printing process that produces a cyan-blue print. Join us in making cyanotype greeting cards for your loved ones! Inspired by artist Irene Chou?
Come share with us your work inspired by her paintings to get featured on our upcoming response show! Family Activity. Hear from Startup Leaders on challenges and opportunities in these three important entrepreneurial networks in Hong Kong, Shanghai and Hangzhou.
Events Special Event. The Light of Fire, another film also on the same night, will present an American-Israeli artist in the face of tragic loss. Six Shorts! Reflects on identity and culture by watching six short films-- in one ticket. Watch 93Queen, a film that tells the story of a group of tenacious Hasidic women who create the first all-female volunteer ambulance corps in New York City. Avenging Evil.
Watch Avenging Evil, a documentary that tells this thought-provoking story of revenge. King Bibi. Who Will Write Our History. Watch a documentary that tells, a secret band of journalists, scholars and community leaders decided to fight back the Nazis who sealed , Jews in the Warsaw Ghetto in The Unorthodox.
Watch an Israeli dark comedy inspired by real-life events. This Israeli drama tells the story of the father of a cancer-inflicted daughter. The journey to save his daughter exposes old wounds and allows him to reconnect with his secular past. Fig Tree. Bye Bye Germany. Frankfurt, David Bermann and his friends have survived the Holocaust, escaped the Nazi regime and are now dreaming of leaving for America.
In the face of a new future, will their past continue to haunt them? The Rabbi from Hezbollah. Director Itamar Chen caught it on film. Fiddler: A Miracle of Miracles. This remarkable documentary explores a variety of international productions of the show Fiddler on the Roof, detailing how individuals of many cultures see themselves represented as residents of Anatevka. Shorts 2. A Mirror for the Sun. Neta Ariel is the writer and director of the film.
Back to Maracana. A heartfelt and funny intergenerational road trip drama from a veteran Israeli-Argentinean filmmaker. Noble Savage. Networking Event. Get Email Updates Sign Up. Tweets by Asia Society.